Thursday, February 26, 2015
Remediation
What is remediation? What does it contribute -- if anything -- to your view of writing? Of writing technologies?
Wednesday, February 25, 2015
Journal 12: February 24, 2015 Sasha Polissky
Class discussion of Read
Write Culture and Remix-
· RO (Read Only)- Devices that
distribute content so you passively consume what the audience is putting out
there.
· RW (Read Write)- Assemblage
occurs, takes a borrowed work and makes it new. Remix culture is not designed
to compete with profit culture like remixing The Beatles. Instead, it is
remixed for the love of the music. Favors amateur (not for profit) and
democracy.
· Ex. People creating an anime music
video spend 50-400 hours taking anime cartoons and putting them into the song
for the love of anime itself.
· Remix happens within communities
of practice and making and participating in the culture (democracy).
In class example: A not for profit text done out of
the love for Pokémon and Miley Cyrus.
Three
levels of a blog:
1.
Link
to the blog
2.
Tags
3.
Content
·
Now
that we live in a read write culture, it is up to the content makers to do all
the jobs producers used to do in a read only culture such as titling,
describing, tagging, and categorizing YouTube videos.
·
Why
is this idea of Remix valuable? What does it add to our current understanding?
-
The
freedom of Remix is valuable. It gives
life and more avenues for participation that opens up to a new audience that
wasn’t originally familiar with the work.
John Phillip Sousa-
·
Sousa
was an American composer back when you had to have someone play music for you
if you wanted it copied. He believed culture would develop into read only.
However, when Sousa was confronted with recorders and piano strips he attempted
to make a law to regulate the copies and see a profit from this.
·
Even
though he was trying to protect RW culture through copyright laws, he did the
opposite by making it really difficult to participate in RW culture.
·
The
price of borrowing a text is a citation. Now it is legal to quote written text
but illegal to quote a song in a video.
Kirby Ferguson: Everything is a Remix-
Part 2: https://vimeo.com/19447662
·
Hollywood
transforms old into new. Genre movies stick to templates and break up into
subgenre films. To Ferguson, everything is considered a remix. He uses Star
Wars as an example, since it is known as being original but it’s components
come from Joseph Campbell and outlines The Monomyth, along with Flash Gordon,
Hidden Fortress, and many other movies. George Lucas collected, combined and
transformed materials. To him creation requires influence.
Part 3: https://vimeo.com/25380454
·
Creativity
happens by applying ordinary schools of thought to existing materials. Copying
is how we learn; we can’t introduce anything new until we are fluent in the
language of our domain. We need copying to build a foundation of knowledge and
understanding. It is possible to create something new through transformations (taking
something and creating variations). For
example, Thomas Edison didn’t create the light bulb but he created the first
commercially liable light bulb. By connecting ideas, creative leaps can be made
such as when the Star and the Alto served as a foundation for Macintosh.
Class comments-
·
The
most important activities for an inventor, writer, and designer is to locate
and arrange things that are used through copying, transforming, and collecting.
Not everything is a remix, however most things are built off of each
other. For example, designers still have
their original design but recreate colors and patterns from existing material. Also,
every musical note has been used and recorded so there are no more original sounds
but when you remix them it makes it transforms into original content. The original
goal simply develops when the design is enhanced.
Lawrence Lessig Page 73-
·
When
asked why the remixer simply doesn’t make their own content Lessig responded, "Their
meaning comes not from the content of what they say; it comes from the
reference, which is expressible only if it is the original that gets
used."
Reminder: Rough drafts due on Thursday
and main project due on March 3rd !
Friday, February 20, 2015
Journal 11: February 19, 2015 Emily Jones
Assemblage Reading
- (p4) “In other words… conceal their sources“
- Dissonance between culture and classroom – in practice (architecture, web design, etc) borrow is normal, not bad
- Old: original > borrowed (378)
- New – assemblage: original is as valuable as the borrowed
- Shift from performance to action (400)
- Ex: a meme has borrowed image, borrowed theme, possibly a borrowed quote
- Effect in context (RS)
- Writing happens in a social environment, not a void
- Assemblage is common practice outside the classroom
- Ex: sending an email throughout a company to recirculate the company vision
Shia LeBeouf
- Accused over and over of plagiarizing, responded over and over in plagiarized tweets ( link )
- Example of the ways words can fit different contexts
- By not attributing ownership he created an assemblage, but it flopped in the context because as a creative artist he is expected to produce original content
- The value of a text lies in what it does (its effect)
Remix Culture
- Where there is action in context, assemblage is more likely to happen
- The work of a writer in remix culture is about selecting and arranging
- We listened to Strange Fruit by Nina Simone about lynching and burning black men in the 1930s, same words in Blood on the Leaves by Kanye West about how he didn’t think he was being treated fairly when he wanted to launch a clothing line
- Not an absence of original material, as West still writes own lyrics – this is remix culture, postmodern
- Is this more acceptable in this genre of music?
- Does it take away from the ‘lone genius’?
- Does it make a difference in audience perception if you know the original artist’s piece beforehand?
- (382) Assemblage doesn’t replace old practices, it validates remix (as a form of writing, etc)
- Soundtracks, found picture films, etc
- (387) “Comparing a text… performing in that context."
- Use of a template is an assemblage practice, ex: web design
Modernism – generally one artist creates something entirely original
Postmodern tendency – meaning changes with time, reframed works are new interpretations
Ethical issues
- There are cases and communities in which assemblage is not valued and can be punished
- Fair Use is a set of guidelines that defines when you can use certain things
- Ex: second video of a baby crawling with a song in the background, band sued
- Four Factors of Fair Use
- The purpose and character of the use, including whether such use is of a commercial nature or for nonprofit educational purposes
- The nature of the copyrighted work
- The amount and substantiality of the portion used in relation to the copyrighted work as a whole
- The effect of the use upon the potential market for, or value of, the copyrighted works
- George Lucas vs fanfiction
Creative Commons
- To ‘save the world from failed sharing’
- Gives you a set of licenses to choose between, regarding availability
- Gives tools to creators to make choices about copyright
- Creativity and connection, access and control
- Move from content to community
- Ex: Fair Use Disney mashup met each of the four factors to avoid copyright infringement and qualify for Fair Use
Thursday, February 19, 2015
R/W Culture and Remix
- What's R/W culture?
- What's remix?
- What's the role between the two? Has remix help to re-democratize writing? Or has R/W culture validated remix practice?
Wednesday, February 18, 2015
Journal 10: February 17, 2015 Lane Giddings
Digital Studio Facts/ Tips
- · No appointment needed
- · Have most adobe programs
- · Employees will assist you, if asked
Class Website: http://goo.gl/Lq9dkk
- “How do you make your text stand out?”
·
Text Heavy
o The
photos help create a theme and the text complements the photo through its
location – the text doesn’t cover the important part of the photo. The text is
consistent with the public service announcement genre in the fact that it
informs and the text leads the audience to take action.
·
Picture Heavy
o None
have text is covering the face so there is priority on the face of the picture,
which allows expressions to be more readable, thus drawing people in.
o Pictures
draw attention and evoke emotion
·
Visual Heavy
o The
text helps explain the cause and effect of the visual and the visual emphasizes
the point of the text.
·
Colors
o Text
is frequently in black, white, blue, and red. Black and white draws a lot of
attention
·
Other things to consider in PSA
o Medium
o Location
of PSA
o Audiences
o Emotion
it evokes
·
Genre sets
o Radio
o Fliers
o Billboards
o TV
commercials
o Online
ads
o Social
media
Photoshop
·
Search tools can search for size, color,
transparents (no background), usage rights
·
Remove background
o Lasso
click and drag around area needed to cut out remainder
o Quick
selection finds edges for you
o Layer
mask recommended to cover background
Tuesday, February 17, 2015
Originality & Assemblage
What is assemblage? What -- if anything -- does assemblage add to your view of writing? Is assemblage a necessary condition of writing in the 21st century?
Friday, February 13, 2015
Journal 9: February 12, 2015 Daniella Deloatch
-Different genres can emerge from a text depending on the
way it is read and interpreted
-
example: The Declaration of Independence can be seen as a list of grievances,
simply a declaration or one of many other genres, depending on how it is read.
- Genre sets do not have not have to be well established but
can work well as long as justifiable. The combination of genres can be
unconventional yet still appropriate for certain goals.
- The separate genres within a set (especially for the first
major project) must be working toward the same goal.
- The
purposes of each text and genre used can be different while still keeping the
same goal.
-example:
Using different genres to spread awareness about animal rights. Different
letters are sent depending on the audience that is being reached. An animal
rights letter that is being sent to someone in PETA will be different than one
sent to someone who goes hunting.
-The
goal is the same but the purpose is different.
-Purpose
can change based on: 1. Location/context
2.
Author
3.
Audience
- What= content, goal
-This is what message the text is
attempting to convey.
-How= Genre
-The
way the text is attempting to convey this message.
Example from the textbook: A prezi and
book can have the same content or goal but use different genres (multigenre
approach).
-Genre can dictate content by how much information and what
information can be presented.
-example: Philip Seymour Hoffman’s
obituary vs. eight page Rolling Stones tribute. Obituaries are usually shorter
(space constraints) and more visually based while the Rolling Stones tribute
has space for a lengthy text.
-Genre also determines:
- what images we can and can’t use
- what
word choice is appropriate
- what sentence structure is appropriate
- the
voice of the text
-Group Activity: Discussing our blog posts and how we could
effectively change the genre of our posts to meet the same social goal.
Wednesday, February 11, 2015
Journal 8 : 2/12/15 by Joseph Fuqua
Genre Sets and Genre Systems
-
Genres
1.
Typified Response to writing [interactive]
2. Can be social actions; written to achieve social action
- Genre helps complete goals in my life
-
All texts have conventions - genre
theory
- Kerry Dirk: “Because genres
usually come with established conventions, it is risky to choose not to follow
such conventions.” (258 – 259)
- Genre Sets and Genre Systems
-
Genre Systems – set of genres interacting to achieve an overarching
function within an activity system
-
includes genres from multiple genres over time and can involve the interaction
of users with different levels of expertise and authority who may not all have
equal knowledge of or access to all the genres within the system (88)
- Genre
sets – more loosely defined sets of
genre, associated through the activities and functions of a collective but only
defining a limited range of actions
- Collection of genres with more than one genre
operating at a time
- Meeting same purpose or goal for the same audience
-
Examples
-
Graduate School: Statement of purpose, test scores, letters of recommendation
-
Hospital setting – Hospital social worker genre set: Referral forms, initial assessments, patient
documents, ongoing assessments, progress reports and closing reports
-
Classroom setting - Teacher genre set: Class
notes, reading notes, essays and emails
-
#blacklivesmatter web page: Sense of who
these people are, set of demands, photos, each blog containing a different genre
*
When might genre sets be useful? *
-
Dividing labor between tasks and functions – need content, cover, etc.
-
Distributing meaning across locations – advertising on billboards (not getting
a target audience)
-
Credibility – evidence and demonstrating skill
-
Letter to the editor – constraints, lots of hyperbole
-
Fliers and pamphlets
- Genre Repertoire – genres you know
Examples:
Fiction, Non- Fiction, Descriptive, Narrative
-
Context
of Genres – “set of all existing genres in a society or culture” (87) ; also defined
as all genres in a culture
Examples include:
§
Facebook
posts
§
Letters/email
§
Debate/speech
§
Text
Messaging
-
Paratext
– materials surrounding the main content of a major work which can include
material supplied by the editors, publishers or other people who are not the
author of the work
-Paratext is the threshold
between content and the reader
- Also includes cover and cover
art, title, front matter and back matter and formatting
-Examples:
Amazon reviews, books a million “best books” table
-
Moby Dick cover art – Modern vs. 1851 cover, great illustrated classics, 1950
Hungarian version
Genre & Content
Arola, Sheppard, and Ball point out that genre can shape how authors make their point. In other words, genre shapes content. Locate one print text that tries to bring about some change and briefly discuss how the genre conventions of that print text has shaped the text's content.
Tuesday, February 10, 2015
Journal 7: February 5, 2015 by Whitney Morris
Navigating Genres by: Kerry Dirk
Can
art function rhetorically?
-It can, however art can also be
demonstrated without rhetorical value.
-Ex. Animal Farm by: George Orwell
·
Fiction-
an art form
·
Communism-
the exigence
·
Identification
of the exigence qualifies Animal Farm as a rhetorical construct.
Composition
-Before we looked into the
rhetorical situation, we were concerned with formatting: where items are
effectively located to convey to your audience what they should expect upon
viewing your material.
Recurring
Rhetorical Situations
-Dirk included a quote from Bitzer
in Navigating Genres that explained
how rhetorical situations reoccur once an initial exigence and audience,
along with respective constraints is addressed. Dirk used the example of
presidential speeches, such as the State of the Union Address to demonstrate
this idea.
Handout:
Genre in Rhetorical and Sociological
Traditions
-Because of the rhetorical situation, everyone
has the ability to participate in public. There are no restrictions
regarding who you are. There are plenty of outlets available to address an
exigence and receive a response. Everyone has the ability to read, write and
publish. Anyone can affect positive change.
-“Typified” Explained:
·
Ex.
Email- has a greeting/salutation, a body of text, signature, etc.
·
Genres
with typical formats
-Genres create expectations in readers
·
Genre
gives us a tool for creating messages based on the expectations people have
about the selected genre.
·
Ex.
To write your first memo you would read over memos that others have already
created in your community or find examples on the Internet to see what memos
look like and what they consist of. You are looking to define the memo genre.
Discussion
of Literary and Rhetorical Genres based off Navigating
Genres:
Literary Genres
-Ex:
Fiction, Non Fiction; subgenres: Romance,
Science Fiction, etc.
-Primarily used for entertainment
-Although, books are used for entertainment but can also be persuasive
-Length of text is taken into consideration more so than rhetorical genres, but is not always an indicator of the genre.
· Ex. Poems are short, novels are around/at least 200 pages.
· We are taught not to use first person, to consider tone, and be cautious about the length when composing in the literary genre
-Relationship to the audience: “Writing To”
-Must be an original message, no plagiarism
-“Passive”
-“Personal”
-“Timeless”
-Bitzer says literary texts can be rhetorical but not all literary texts are rhetorical
Rhetorical Genres
-Deals
with persuasion (Bitzer)
-Primarily
a call to action
-Social Action: texts aren’t persuasive they are a response.
·
By
achieving social action, one is addressing an exigence and producing a fitting
message.
-Easier
to break conventions because your focus it to address and exigence and receive
a response which has endless genres to conform to.
-Relationship
to the audience: “Writing For”
-copying
former messages (plagiarizing) is not an issue.
·
Ex.
#likeagirl and “Keep Austin Weird” were reused over and over in different
capacities in order to spread awareness.
-“Active”
-“Social”
-“Timely”
The remainder of the class consisted
primarily of discussion/confusion regarding what is considered rhetorical:
-One student believed everything literary
has some rhetorical material
·
Ex.
Sketch Comedy Show – meant to entertain but addresses controversial matters
-There are more materials than we are
aware of that contain rhetorical function
·
Ex.
“Bad Romance”- Lady Gaga, the music video confused viewers with its avant garde
nature but was intended to bring attention to human trafficking. On the surface
it is merely artistic and entertaining.
·
Ex.
“Bible” and “The Declaration of Independence” – both considered rhetorical
materials but today are treated like art, placed in museums, bible verses
framed and hung in households, etc.
-Dickens addressed the struggles of the
Industrial Revolution, which we cannot relate to, therefore his works function
less rhetorically overtime despite coinciding themes with today’s issues.
-Can Harry Potter be rhetorical?
·
It
brought up issues of faith (Christianity) and the definition of family; a
coming of age story, censorship
·
How
explicit is the exigence? The class felt that the characters clearly went
through these difficulties throughout the books.
·
If
Harry Potter was brought into current conversation, then it can be considered
rhetorical.
- Switched
At Birth vaguely
addressed rape in recent episodes. An article was published explaining the
show’s representation of rape. Both the show and the article are considered
rhetorical.
- The
message can fail and still be considered rhetorical
Dirk: genre used to be a form that you
would fill out (p.252)
- Cited Bitzer’s requirement for a first
response
-Static Genres aren’t entertaining
-Rhetorical Genres are social because
they call for action
-Literary Genres are personal because
they convey desire; make others feel
-Ex. Slam Poetry
(Anger) – but usually address an exigence so it is considered rhetorical as
well.
-Intention
does not change because the message failed
-Can
an exigence accidentally be addressed?
- Ex. Hitting foot on the door and yelling
an expletive, having class react to it. Initially thought to be rhetorical. (?)
-Vats
thought rhetorical situation is much more ambiguous than Bitzer lead on
-It
is difficult to isolate a single rhetorical situation
“Genres
help us make decisions when writing.”-Dirk p. 259
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